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От Т​у​м​а​н

by От Туман

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1.
Silence... Dying forest now the color of rust  Augury of the age of steel to dust Somber song from the throat of the crane  Dejected wind now sighing  Agonized, in pain  In the release of winter’s cold caress  Snowfall becomes her pale white dress  Hiding the blackness of mourning  The ashes beneath her children bequeathed ...Whom shadows once knew I loved  My heart was ripped to shreds  In my chambers I’ve been left for dead  She held no remorse, no regret  Mist begins to cloak the winds  I feel the penitence  In the hole whence my heart once was  Crimson throats silenced The passion passes on, by dawn I too will be gone  ...All shall become one with the earth.  Each passing day, passing away  Death, Memento mori. 
2.
By winds of seasons passing, obsecration of the owl  Heeded by all nocturnal is its haunting howl In the forest, by the mist among the tombstones  Epitaph on gray tells the way  Deep wounds were once cut into the bark  Their remnants still remain as mementos of a past so dark  Phlegmatic was, is, and shall be the flesh  Beneath the regrown bark of the oak  (Numb it has become to its everlasting sorrow) The glory of the world is fleeting  And so are the seasons  And so are the emotions  Nothing lasts besides the scars of the past  Two blackbirds bid the wind adieu  Before joining their eternal milieu Soaring across the painted twilight sky  Whither they go, the oak knows not why  (And now it stands all alone) Hallowed wood, dying in senescence  The night burning black like incense  But the wounds always remain-the memories of pain ...Cicatrized...
3.
4.
5.
6.
Black clouds sojourning over rusting gates  The wind, like sentinels, stands still Worldly corridors lead towards ebony feathers of spirits that soar Time knows not the ones who follow it (the subjects)   It hears, sees, and speaks nothing But leaves behind cenotaphs of its omnipotence  Rushing mist of fire casts the cerulean away Like a wisp of Black Magic, ceased becomes the day  A world without the capricious spirit of man would be a world of only peace  Approaching this death, mortuary drape over the bones whence phoenixes rose  As roses without the need for thorns A microcosm (of nature’s quintessence) Twilight of mankind fast approaching;  The bells are tolling, the end encroaching. 
7.
“Here I asseverate Twilight of the white raven’s throne Of the feathers’ hue like ashes of bones I come to usurp the throne  Alea iacta est - The return of days passed” My Viridian altar under the rule of the sun  -The return of the benevolent king and youthful life Transmigration of the weakening snow  -Into the warming embrace the winter dies  On the night I cast the wind  Of the equinox, the solstice in sanguine  The world becomes green again  Once more it is the time of spring. “Wherever the wind blows  Is whither I shall go” (The world becomes green again  For once more, it is the time of spring. ) I do not know a grander green that... is not within these woods in which I stand “…Дүрт батыр бер йыйылып, Бергә ултырып уйлаған; Яйыҡ, Нөгөш, Һаҡмарҙар, Яңы йылға эҙләгән. Иҙел һымаҡ, былар ҙа Алмашлашып, бер-бере Булат менән сапҡан ти, – Уларҙан да өс йылға Шылтырашып аҡҡан, ти. Былар халыҡты йыйғандар, Дүрт батырға бүлгәндәр; Дүрт йылғаны буйлатып, Торлаҡ ҡороп таралып, Айырым донъя ҡорғандар. Дүрт батырҙың исеме Дүрт йылғаға ат булған, Онотолмаҫ зат булып, Быуын-быуын ҡалғандар.” (Excerpt of a Bashkir epic poem) (…So again the baturs gathered And determined that new waters For the nation be discovered, Consequently Ithel’s brothers, Yayik, Nogosh and young Hakmar, One by one drew out their battle-swords For to cut the mounts asunder, And three streams came running, bubbling, And the elders, the four baturs, At these streams their folk divided, At each stream a tribe to settle, Thus the names of the four baturs Having passed onto their streams’ names, Shall not sink into oblivion, And the coming generations Will forever keep their memory.)

about

An hour long concept album, relating themes of melancholy with the changes of seasons encountered in nature. Created from my own grief, as a means of catharsis over a lost love.

Tracks 3-5 form an interlude suite, with each section named after, and inspired by, pagan goddesses of ancient Mecca.

All music was composed and recorded between January and February, 2019.

credits

released March 3, 2019

Қайғы- All instrumentation, vocals, lyrics, band logo and album layout

Cover art is an edited version of a Casper David Friedrich painting, called Old Heroes' Graves.

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about

От Туман

От Туман (Ot Tuman) is Kyrgyz for "Fire Mist".

Atmospheric/folk black/melodic death metal from parts unknown...

All instrumentation done by Қайғы (Qayghi) unless otherwise specified.
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